![]() ![]() Plug and play easy to use, the ProRMP connects from the recorder to your amp and effects units and does all the impedance matching for you. The magic behind the ProRMP's great tone is a custom wound transformer that at once converts the balanced line level source to a hi-z output for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound. Pixel Pro Audios Choice So you have a guitar DI track and you hate the sound of all of your software amps Radial Engineerings ProRMP is here to help. This means it does not require any external powering. The Radial ProRMP is a 100% passive Reamper. When i finally got around to getting a reamp and a pair of d.i.s, and put those either side of the pedal and used the mic ins on the desk to bring the gain back up to line level, the results were far superior.Radial PRORMP - Passive re-amping device with custom transformerįor years, Reamping has been the 'secret weapon' for countless recordings by the biggest names in the business! Few realise that recording engineers not only reamp guitars, but often reamp bass, keyboards, drums and even voice as a means to bring creative new tones and sonic signatures to their music. (even in reverse!) do quite different jobs.įor years i used the passive attenuator method to send line signals out of the desk and into guitar pedals, then i used the line ins on the desk and the gain to bring them back up to line level. ![]() If you think about it logically, a reamp and a d.i. the level, type and impedance of the signal are all changed. there are various reasons why you might want to do this (you want the colour of the preamp, you need more gain, you want to send it over a long cable etc.) gain often doesn't change with a d.i., but the type and impedance of the signal do.Ī reamp takes a balanced line level signal and converts it to an unbalanced instrument level signal, (for running daw outs through guitar pedals and amps, for micing up stuff etc.) a reamp will also usually drop the gain. ![]() takes an unbalanced instrument or low level line signal (such as the output of a guitar pickup or keyboard), and converts it to a balanced signal suitable for plugging into a mic pre amp. you really just need to think about what each type of box does:Ī d.i. in reverse as a reamp, and i have heard of people doing this successfully. Some people do like to try using a passive d.i. yeah and you also get a ground lift on most reamps too. See all 23 - All listings for this product. I don't know what that equals in dBV, but it is hotter than line level. item 7 Radial Engineering ProRMP Passive Re-Amplyfing (Reamp) Box 7 - Radial Engineering ProRMP Passive Re-Amplyfing (Reamp) Box. Typically 10v swing in total, from -5v to +5 AC. "Modular level" is even hotter than "Line level". It's a lot 'hotter' than instrument level, and typically gear needs to be powered in order to support it. Few realize that recording engineers not only Reamp guitars, but often Reamp bass, keyboards, drums and even voice. "Line level" is +4dBV, what you get out of preamps, into and out of recording consoles, many bits of powered audio gear like rackmount FX processors, etc. ![]() A very weak signal, available from unpowered/passive devices like the magnetic pickups in guitars. "Instrument level" is -10dBV, what you get from a guitar, passive bass, into/outof guitar pedals, into guitar amplifiers, etc. It also works nicely to drop modular signals (since they are so hot) down to guitar-level signals so you can use a guitar or bass amp to amplify your modular. Or in other words, record your guitar direct and dry, then after recording you can experiment with sending that recording through different amps, or pedals - reamp goes in between the computer's outs and the amp or pedal's inputs.ĭoesn't have to be guitar though - it'll work with any source material coming out of a line-level recording/playback device (or signal generator/processor). That's exactly what it's for - you want to take an already-recorded signal out of a recording machine (computer in this case) and drop it down to instrument level so you can use your pedals on it - this is what the reamp is designed to do. ![]()
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